Seduction at its finest.

February 3, 2011 § Leave a comment

Quentin Tarantino makes some of the most iconic movies in our culture. Recently he won the first ever Music + Film award for his brilliant combinations of music and picture. And not just in a music video way but in a cinematic way. There are certain songs that, if you’ve seen the movie, you think specifically of Quentin Tarantino. One song in particular, at least for me, is “Son of a Preacher Man” by Dusty Springfield. Take a look at how Tarantino uses it in Pulp Fiction.

A scene of complete seduction – Uma Thurman’s voice over the intercom, the slowly articulated “disco!” that she utters when John Travolta approaches the intercom – it’s unusual that Tarantino would choose this song. But how perfect is it? Completely adds to the entire feel of the scene in a way that no other song could.

Quentin Tarantino has paved a way for music’s place in cinema and has inspired many other directors’ song choices. I was watching the French film Heartbreakers yesterday (a great light hearted comedy, a few cheesy moments, but fun to watch a romantic comedy in another language). One of the opening scenes – a young, handsome man sitting in the pool lusting over the well tanned slim babe in a black bikini exit the pool in slow-mo. What song is in the background? That’s right – “Son of a Preacher Man” (in English of course). Fantastic to see Quentin Tarantino’s inspiration all over cinematic scene.


Tagged: , , ,

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s

What’s this?

You are currently reading Seduction at its finest. at Perspective on Pop Culture.


%d bloggers like this: